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Poor Bridge of the Week
Poor Bridge in the Slam Zone
By Paul Huggins

Poor bridge can occur in a wide variety of situations as is explored regularly on this site. However the most spectacular examples of this art often occur when the hands have reached the dizzy heights of the slam level — and the poor bridge can switch from one side to the other very quickly. Two such examples form the basis for this article.

1. How to bid good grand slams

The scene is a teams of eight match, you're playing in a partnership that hasn't played together seriously for over four years and therefore in your five minute system discussion you have agreed to play a simple no-frills system that you believe will minimise the risk of misunderstandings and poor bridge.

You pick up the following hand as dealer at red vs green:

SK Q 4 2
HA K 6
DK J 7 5 4 2
C

Not a bad hand by anyone's standards. You make the standard opening bid of 1D and LHO overcalls 3C (weak). Your club void is starting to look even better than before, and you get even more excited when partner bids a forcing 3S (and RHO passes) — surely with your void club, four card support, six card side suit and lots of controls slam is just around the corner? In a tried and tested partnership a good bid here would be 5C — showing a void in clubs, spade support and asking for key cards not including the CA. However in a less experienced partnership a simple 4C cue bid seems sensible — inviting partner to cue bid at a sensible level.

Partner co-operates with a 4D cue bid, you continue with 4H, and partner now bids 4NT RKCB. Unless you have specific agreements about how to show key cards with a side suit void it is usually best to make your normal response and hope for the best, so you bid 5S to show 2 key cards and the SQ.

Partner now bids 6C (clearly not natural). What does this mean? Presumably despite hearing your key card response and your cue bids partner still does not know what level to bid to and is asking you to decide. Since he has made this bid at the 6 level he presumably wants us to choose between a small and grand slam — otherwise he would pass 5S or bid 6 or 7 himself, wouldn't he? Having worked this out consider your hand in the context of the bidding:

  • A void club in addition to the 2 key cards and trump queen already shown to partner.
  • A six card side suit to set up to discard partner's excess losers in hearts and clubs — partner has shown the DA already with his cue bid of 4D.
  • Second round control in all three side suits.
  • Seems good enough to bid a grand slam (in spades) you would think? At the table I did find this bid, which was passed out. The CA was led and I prepared to put my hand down as dummy, reckoning that 13 tricks should be easy. Perhaps now would be a good time to look at all four hands:


    SK Q 4 2
    HA K 6
    DK J 7 5 4 2
    C

    WestNorthEastSouth
    PaulPartner
    1D3C3S
    Pass4CPass4D
    Pass4HPass4NT
    Pass5SPass6C
    Pass7SAP

    S9 6 3
    HJ 8 7 5 3 2
    D8 3
    CA 3
    DIR
    SA
    H9 4
    D10 9 6
    CQ J 10 8 7 5 2
    SJ 10 8 7 5
    HQ 10
    DA Q
    CK 9 6 4

    Lead: CA

    So not a bad contract at all — barring the minor point that the ace of trumps is offside! Some feeble excuse about miscounting key cards and "wanting to cue the CK" (at the 6 level) was given. Amusingly the player with the SA decided not to double "in case we ran to 7NT" — not nearly as poor but still ridiculous. Curiously we gained imps on this board as our teammates sitting the same way as us bid the sensible small slam and our two pairs sitting the opposite way lost small penalties in club contracts or conceded game. Truly a board deserving of poor bridge!

    2. How to bid and make bad small slams

    Just to show that I don't just report poor bridge perpetrated by others, here is a fine example from a pairs event not long after the events of the previous hand. You pick up the following hand, once again you are vulnerable and the opponents do not intervene.

    SA K 3
    HK Q J 9 7
    DK 10 2
    CQ 6

    Not the worst 18 count in the world by any means. Partner opens 1D and your hand looks even better, you respond 1H and partner raises to 2H — better and better! What now? A jump to 4H will surely end the bidding and you have no way of investigating a slam, the main danger being two club losers off the top. An experienced partnership may have scientific ways of exploring slam possibilities after this start to the auction but not when you're in an untried partnership. To cut a long story short I elected to bid 4NT RKCB — a bid that wastes lots of bidding space and won't tell you everything you need to know. Partner responded 5H (2 key cards without the HQ) and now I had to decide whether to bid on or not. Taking into account the following evidence:

  • Partner might have the CA and be missing the DA or HA.
  • Partner might have a singleton club.
  • Partner might have the CK.
  • If partner has two losing clubs then oppo might not lead clubs unless the CAK are both on my left.
  • I decided to bid 6H — hey it's got at least a 50% chance of making! Now here are the full hands:


    SJ 10
    HA 6 5 4
    DA Q 8 7 3
    CJ 4

    WestNorthEastSouth
    PartnerPaul
    1DPass1H
    Pass2HPass4NT
    Pass5HPass6H
    AP

    S7 6 2
    H10 3 2
    D9 5 4
    CA K 7 3
    DIR
    SQ 9 8 5 4
    H8
    DJ 6
    C10 9 8 5 2
    SA K 3
    HK Q J 9 7
    DK 10 2
    CQ 6

    As you can see all the chances I had considered were not materialising on this hand. However after dropping the CQ under the CA lead and LHO switching, 12 tricks were wrapped up without further ado and the pendulum of poor bridge had swung from me to my LHO.

    Note: 6H may be an absurd contract but several other pairs had also bid to it (their LHOs had not been so obliging as mine and had cashed their CAK) and one pair had found the even more absurd 6NT — this time there was no chance of false carding the CQ and hope the opponents switched!